Hammer’s music supervisor Philip Martell hired the avant-garde composers of the day. The likes of Malcolm Williamson (later ...
A cinematic obsessive with the filmic palate of a starving raccoon, Rob London will watch pretty much anything once. With a mind like a steel trap, he's an endless fount of movie and TV trivia, borne ...
No studio has ever achieved a more significant standing in the annals of horror than Hammer Horror. Inheriting the monopoly held by Universal throughout the ‘30s and ‘40s, Hammer produced some of the ...
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