At one point in the Coen brothers latest film Inside Llewyn Davis the title character shouts, "I hate f---king folk music." It's a strange declaration for Llewyn—a folksinger himself—but it's ...

Set in Greenwich Village in 1961 in the days just before Bob Dylan’s arrival on the scene, the Coens’ film follows a Van Ronk-like troubadour (Oscar Isaac) who has the talent but not that intangible ...

<!-He may not be a Coen brother by blood, but “Inside Llewyn Davis” makes it clear once again that T-Bone Burnett and the acclaimed sibling filmmakers share a distinct musical DNA. For the rich, ...

This post is in partnership with Consequence of Sound, an online music publication devoted to the ever growing and always thriving worldwide music scene. Following an embattled young folksinger in ...

When it was revealed two years ago that the Coen brothers’ next project would revolve around the Greenwich Village folk scene of the early ’60s, the first thought that came to mind was “who’s going to ...

If there's any one movie this coming Oscar season that's already, definitely, unabashedly worth anticipating, is is perhaps the Coen brothers' latest: Inside Llewyn Davis. The film, highly praised at ...

Another Day, Another Time: Celebrating the Music of Inside Llewyn Davis - H 2013 By THR Staff Mia Galuppo Promoted to Senior Entertainment Reporter at The Hollywood Reporter SXSW Sets First Panels for ...

(AP) When Justin Timberlake couldn’t make Sunday’s concert celebrating the music of the new Coen Brother’s movie, “Inside Llewyn Davis,” master of ceremonies John Goodman told the crowd Timberlake’s ...

Welcome back to another issue of Your Movie Mage, where I discuss underrated movies across genres. Last week, we discussed the highly underrated film adaptation of the popular book, “Where the Wild ...

Ten years ago, Spike Jonze and the Coen Brothers unleashed two men onto cinema: Llewyn Davis and Theodore Twombly. The former (played by Oscar Isaac) was a scruffy, bearded folk musician trying to ...

The Coen Brothers have no shame in gut-punching audiences with sharp dismantling of characters or rude short-changing of narrative expectations, in ways that feel like a cinematic middle finger. While ...