Many of the expanded editions of Taylor Swift’s albums, including the Taylor’s Version re-recordings, have added thrilling or ...

More than its predecessor, Godzilla Minus Zero feels tormented by the very carnage it adores.

Much of Gorillaz’s output since they returned from an extended hiatus in 2017 has felt frustratingly slapdash, their recent albums resembling the sort of shapeless, auto-generated playlists of vaguely ...

The director's cut is the stuff of legend, at least to devotees of the film, namely for restoring two scenes cut from the ...

A winsome comedy that lands somewhere in between goofy ambient TV and full-fledged satire.

Lance Oppenheim’s Primetime is far from a sober-minded or deadly serious examination of the hard truths behind some of the ...

For all of the film's bursts of melodrama, its characters, like the narrative, are prone to retreating into a believable ...

This modern reimaging's sense of the characters' interiority dissolves rather than resolves across the running time.

This anti-dramatic examination of banal evil is at least more intellectually engaged and satirically pointed than 'The Zone ...

The richness of 'The Day She Returns' lies not only in how open to interpretation its main character's actions are.

Hong Sang-soo's 'Nowhere to Lay My Eyes' finds truths in the mundane aspects of life, and is alive to the melancholy of ...

Early in James Gray’s 1986-set drama Paper Tiger, there’s a sublime image of the Pearl family—engineer father Irwin (Miles Teller), brash mother Linda (Scarlett Johansson), and their sons, Scott ...