Anamorphic lenses are a great way to shoot in widescreen, but they’re prohibitively expensive on digital formats. Enthusiasts have experimented with using anamorphic adapter lenses from old projectors ...

Jacob Kastrenakes is The Verge’s executive editor. He has covered tech, policy, and online creators for over a decade. Moment is going back to Kickstarter with another series of add-on phone lenses ...

Filmmakers photographers and those of you passionate about cinematography may be interested in a new anamorphic lens currently available via Kickstarter. The FF 60mm T2.9 1.33X anamorphic lens with ...

Since Leviathan, I’ve been more curious than ever about the functionality of GoPros. Often categorized as toys and far more prevalent on ski slopes than sets, it took Lucien Castaing-Taylor and Verena ...

Anamorphic lenses are a great way to shoot in widescreen, but they’re prohibitively expensive on digital formats. Enthusiasts have experimented with using anamorphic adapter lenses from old projectors ...

We take a look at the options that are out there for anamorphic shooting, even if you don't own a multi-million Dollar film studio. The anamorphic or squeeze look is in demand today. As a result of ...

O2 is a short film by Stanislav Kapralov that was shot entirely on an iPhone using Atlas Mercury anamorphic lenses thanks to Beastgrip’s new DOF Adapter Фoton. So, it turns out that RED was right all ...

Smartphones are able to shoot astonishingly high quality video these days, but ultimately, the lenses and sensors built into your phone are too small to get a decent shallow depth of field effect.

Anamorphic widescreen is a hallmark of cinema, a format originally invented to further differentiate the movie theater from a home television. It produces a wider field of view (in the horizontal ...

On Thursday, Moment released its latest mobile lens, the 1.55x anamorphic, which will give you lovely horizontal flares and a cinematic ultra-wide POV in iPhone photos and videos. The new 1.55x ...

You know anamorphic, right? It’s a way of getting super widescreen film onto the relatively squarish frame of 35mm film. It’s done by using a special lens on the camera that squeezes the image ...