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Winter Replay: Intricate and complex formations of dancers fill the stage in George Balanchine's iconic leotard ballet, Symphony in Three Movements. | New York City Ballet
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Winter Replay: Intricate and complex formations of dancers fill the stage in George Balanchine's iconic leotard ballet, Symphony in Three Movements. | New York City Ballet
9.1K viewsMar 5, 2025
FacebookNew York City Ballet
Much like its Hindemith score, George Balanchine's Kammermusik No. 2 diverges from convention while maintaining a rich display of classical foundation. See it this spring on the All Balanchine program: https://www.nycballet.com/season-and-tickets/spring-23/all-balanchine/ | New York City Ballet
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Much like its Hindemith score, George Balanchine's Kammermusik No. 2 diverges from convention while maintaining a rich display of classical foundation. See it this spring on the All Balanchine program: https://www.nycballet.com/season-and-tickets/spring-23/all-balanchine/ | New York City Ballet
10K viewsMar 13, 2023
FacebookNew York City Ballet
Artistic Director Megan Connelly recently sat down with Diana White, former New York City Ballet soloist and renowned The George Balanchine Foundation répétiteur, in our studios to discuss George Balanchine’s Scotch Symphony ahead of the Brisbane season of NOW. Diana shared her first-hand memories of working with the legendary choreographer, offering a rare glimpse into his creative brilliance and enduring influence on the world of ballet. Now, that legacy comes to life in our Brisbane performan
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Artistic Director Megan Connelly recently sat down with Diana White, former New York City Ballet soloist and renowned The George Balanchine Foundation répétiteur, in our studios to discuss George Balanchine’s Scotch Symphony ahead of the Brisbane season of NOW. Diana shared her first-hand memories of working with the legendary choreographer, offering a rare glimpse into his creative brilliance and enduring influence on the world of ballet. Now, that legacy comes to life in our Brisbane performan
1.2K views8 months ago
FacebookThe Australian Ballet School
“Balanchine created this distinctly American style based on musicality and dynamics, elongated positions and angles—that’s at the foundation of all of the rep that we do.” New York City Ballet Principal Dancer Peter Walker reflects on the singular aesthetic present in George Balanchine’s Kammermusik No. 2, which returns this winter on the Masters at Work II program, JAN 23, 24 mat & eve, 25, 27 & 28. Reserve your tickets at www.nycballet.com/winter | New York City Ballet
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“Balanchine created this distinctly American style based on musicality and dynamics, elongated positions and angles—that’s at the foundation of all of the rep that we do.” New York City Ballet Principal Dancer Peter Walker reflects on the singular aesthetic present in George Balanchine’s Kammermusik No. 2, which returns this winter on the Masters at Work II program, JAN 23, 24 mat & eve, 25, 27 & 28. Reserve your tickets at www.nycballet.com/winter | New York City Ballet
3.3K views4 months ago
FacebookNew York City Ballet
Ballet dancer Allegra Kent shares candid recollections of her earliest days as a New York City Ballet dancer under the direction of George Balanchine in this reading from her essay "My Discovery of Dance." Kent's essay is one of many contained in the Center publication "The Sentient Archive: Bodies, Performance, and Memory," a collection of writings that illustrate how the body serves as a repository for knowledge. Find additional excerpts and readings from dancer and choreographer David Gordon,
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Ballet dancer Allegra Kent shares candid recollections of her earliest days as a New York City Ballet dancer under the direction of George Balanchine in this reading from her essay "My Discovery of Dance." Kent's essay is one of many contained in the Center publication "The Sentient Archive: Bodies, Performance, and Memory," a collection of writings that illustrate how the body serves as a repository for knowledge. Find additional excerpts and readings from dancer and choreographer David Gordon,
8.7K viewsSep 23, 2020
FacebookThe Pew Center for Arts & Heritage
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