Headphones on, again! 🎧 A snippet of the Glory sei Gott from Michael Praetorius's Missa Gantz Teudsch, featuring a 16' curtal consort of bass, quartbass, and octavebass. Our quartbass and octavebass are copies of instruments purchased for the Augsburg Stadpfeifer in around 1600, the bass is after an instrument in Berlin. Can you hear where each instrument comes in in the texture? | Unholy Rackett
1:32
Headphones on, again! 🎧 A snippet of the Glory sei Gott from Michael Praetorius's Missa Gantz Teudsch, featuring a 16' curtal consort of bass, quartbass, and octavebass. Our quartbass and octavebass are copies of instruments purchased for the Augsburg Stadpfeifer in around 1600, the bass is after an instrument in Berlin. Can you hear where each instrument comes in in the texture? | Unholy Rackett
3.1K views3 months ago
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We had a lot of interest in the instrument Brock Imison was playing in our previous post. Here it is playing on its own. This is a copy of a late 16th century octavebass curtal, the earliest ancestor of the modern contrabassoon. The original of our instrument is in Augsburg, Germany, where it has been since it was purchased as part of a curtal consort in around the 1590s. Our copy was made by Fritz Heller in the Netherlands. . The tune is Michael Praetorius's setting of 'Es ist ein Ros entsprung
0:56
We had a lot of interest in the instrument Brock Imison was playing in our previous post. Here it is playing on its own. This is a copy of a late 16th century octavebass curtal, the earliest ancestor of the modern contrabassoon. The original of our instrument is in Augsburg, Germany, where it has been since it was purchased as part of a curtal consort in around the 1590s. Our copy was made by Fritz Heller in the Netherlands. . The tune is Michael Praetorius's setting of 'Es ist ein Ros entsprung
48K views7 months ago
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Aside from their astounding suitability for playing the Game of Thrones theme music, curtals and racketts were also used to accompany choirs in early seventeenth century Lutheran church music. Here, Unholy Rackett plays two Christmas hymns by Michael Praetorius: Es ist ein' Ros' entsprungen (1609) and Puer natus in Bethlehem (1619). Feel free to sing along! | Unholy Rackett
1:31
Aside from their astounding suitability for playing the Game of Thrones theme music, curtals and racketts were also used to accompany choirs in early seventeenth century Lutheran church music. Here, Unholy Rackett plays two Christmas hymns by Michael Praetorius: Es ist ein' Ros' entsprungen (1609) and Puer natus in Bethlehem (1619). Feel free to sing along! | Unholy Rackett
11.1K viewsSep 7, 2017
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Not the best quality video, but it serves to illustrate Michael Praetorius's observation that a single rackett accompanying a consort of string instruments can be a thing of beauty. Racketts are not loud, but their buzzy tone gives them presence in the texture, in their 16' range. | Unholy Rackett
0:25
Not the best quality video, but it serves to illustrate Michael Praetorius's observation that a single rackett accompanying a consort of string instruments can be a thing of beauty. Racketts are not loud, but their buzzy tone gives them presence in the texture, in their 16' range. | Unholy Rackett
1.8K viewsJan 23, 2020
FacebookUnholy Rackett
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