Three performances remain of Brett Dean’s gripping Shakespeare adaptation, Hamlet, hailed as “innovative, elegant and passionate … a very palpable hit” by The New York Times. Tenor Allan Clayton and baritone Rod Gilfry—seen here in a clip from the final dress rehearsal—go head to head as the title prince and his murderous uncle, King Claudius, conducted by Nicholas Carter. Next on stage tonight, May 31: bit.ly/3IXsKTx Live in cinemas on June 4: bit.ly/3JZ95UD | The Metropolitan Opera
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Three performances remain of Brett Dean’s gripping Shakespeare ada…
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The Metropolitan Opera’s Live in HD season concludes with Brett Dean’s new operatic take on Hamlet, hailed as “innovative, elegant and passionate—a hit” by The New York Times. See the riveting performance live from the Met stage at Regal on June 4, with encores on June 8. | Regal
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The Metropolitan Opera’s Live in HD season concludes with Brett Dean…
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During last Saturday’s Live in HD transmission of Hamlet, Maestro Nicholas Carter brought viewers inside Brett Dean’s intricate and immersive “theater of sound.” Experience this contemporary take on Shakespeare’s classic tragedy tomorrow, June 8, when select U.S. cinemas present encore screenings of the opera, with dates varying internationally. Find your theater: bit.ly/3iRg0Us An English transcript of the live transmission’s spoken host introduction and interview segments are available on our
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During last Saturday’s Live in HD transmission of Hamlet, Maestro N…
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Tonight, Brett Dean’s Hamlet premieres at the Met in an electrifying staging by acclaimed Australian director Neil Armfield. In this chilling excerpt from Act I, the ghost of Hamlet’s father, sung by bass-baritone John Relyea, appears to his son (tenor Allan Clayton) and his friends Horatio (baritone Jacques Imbrailo) and Marcellus (baritone Justin Austin). Nicholas Carter conducts. Hamlet is on stage through June 9: bit.ly/3IXsKTx In cinemas on June 4: bit.ly/3JZ95UD | The Metropolitan Opera
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Tonight, Brett Dean’s Hamlet premieres at the Met in an electrify…
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At the end of Ophelia’s mad scene in Brett Dean’s Hamlet, soprano Brenda Rae must run off stage and make her way to one of the highest point in the opera house—nearly six stories above the stage—accompanied by her dresser and a stage manager. This unusual placement for her final notes really immerses the audience in the music, helping to create what Dean calls “a theater of sound.” On stage through June 9: bit.ly/3IXsKTx In cinemas June 4: bit.ly/3JZ95UD | The Metropolitan Opera
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At the end of Ophelia’s mad scene in Brett Dean’s Hamlet, soprano B…
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Following his powerful Met debut as Hamlet in Brett Dean’s bold reworking of the classic play, tenor Allan Clayton returns to the stage this fall in the title role of Benjamin Britten’s Peter Grimes. While you wait to see him again in the 2022–23 season, enjoy this throwback to Clayton’s dynamic performance of Hamlet’s famous soliloquy, “To be, or not to be.” | The Metropolitan Opera
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Following his powerful Met debut as Hamlet in Brett Dean’s bold rewor…
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Last week, Brett Dean’s Hamlet had its long-awaited Met premiere in an electrifying staging by acclaimed Australian director Neil Armfield. This thrilling Shakespeare adaptation returns on Wednesday, May 18, with Nicholas Carter conducting a sensational cast, including soprano Brenda Rae, seen her in an excerpt of Ophelia’s hair-raising mad scene. Hamlet is on stage through June 9: bit.ly/3IXsKTx In cinemas on June 4: bit.ly/3JZ95UD | The Metropolitan Opera
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